German Painter, 1785-1841 Painter, draughtsman and lithographer, brother of Heinrich Olivier. The brothers' mother was a court opera singer in Dessau, and Ferdinand's later interest in the German medieval and Nazarene styles owed much to the intellectual climate at the Anhalt-Dessau court, where Leopold III Frederick Francis, Prince of Anhalt-Dessau, had been the first German prince to introduce the Gothic Revival style. Olivier took up drawing in 1801-2 under the tuition of Carl Wilhelm Kolbe and the engraver Johann Christian Haldenwang (1777-1831). In 1802-3 he accompanied his father to Berlin, where he studied woodcut techniques under Johann Friedrich Gottlieb Unger (1755-1804) and may have attended August Wilhelm Schlegel's lectures on belles-lettres and art. It was here, at the latest, that he discovered Herzensergiessungen eines kunstliebenden Klosterbruders (Berlin, 1797) by Wilhelm Heinrich Wackenroder and Ludwig Tieck, and the latter's Franz Sternbalds Wanderungen (Berlin, 1798), two books of vital significance for the painting of the Romantic era. Having decided to make art their career, Ferdinand and his brother Heinrich spent two years (1804-6) in Dresden, where they copied the works of Ruisdael and Claude Lorrain in the art gallery during the summer months. Ferdinand also took lessons from Jacob Wilhelm Mechau (1745-1808) and Carl Ludwig Kaaz, both painters of idealized landscapes, and he was probably introduced to the work of Philipp Otto Runge and Caspar David Friedrich by Friedrich August von Klinkowström (1778-1835), a friend of Runge. In June 1807 Ferdinand's excellent knowledge of French led to his appointment as embassy secretary in Paris, where Heinrich soon joined him. However, after just a few weeks he gave up his diplomatic career in order to devote himself to a study of the Musee Napoleon, which at that time housed art treasures pillaged from all parts of Europe. Ferdinand and Heinrich jointly produced three paintings for Leopold III Frederick Francis of Anhalt-Dessau: a portrait of Napoleon on Horseback (c.1809; W?rlitz, Schloss), and a Last Supper and Baptism (1809-10; Werlitz, Evangel. Ch.) for the Gothic Revival church in Werlitz. Although these last two were supposed to be copies after the 'old German school', the Olivier brothers in fact used 15th- and 16th-century Dutch and Flemish models to create original compositions. At the end of 1809 they returned to Dessau.   Related Paintings of Ferdinand Olivier :. | Cross | The Last Supper (mk05) | Three Sisters A Study in June Sunlight | gustaf adolf reuterholm | Two ladies |
Related Artists:
Gerhard Wilhelm von Reutern
painted Abraham sacrificing Isaac in 1849
Payne, Edgar Alwin
American, 1882-1947
BASSETTI, Marcantonio
Italian painter, Veronese school (b. 1588, Verona, d. 1630, Verona) Italian painter. He was a pupil of Felice Brusasorci (Ridolfi), but he soon moved to Venice, where he studied the art of Jacopo Tintoretto in particular, but also that of Jacopo Bassano and of Veronese, whose works he copied in chiaroscuro drawings (mainly Windsor Castle, Royal Lib.) similar to those of Domenico Tintoretto. Bassetti's early painted Portrait of a Man with a Glove (Verona, Castelvecchio) is essentially Venetian, close to the art of Bassano.